
In 1974, we moved to a house on Birch Lane in San Jose.
This picture is from when we just moved in with my sons Ted (4) and Jon (2).
Birch Lane
Sprinkler System
In My Garden
Apple Tree
Garden
Metempsychosis
The Old Lawn Mower
Where the Tree Fell
The New Tree
Christmas Tree
Garage Door
Molly
The Old Dog
Chicken Run
Pigeon on Her Eggs
Culling the Flock
The Oracle
Temblor
Older
Photos by Susan Snydal
Birch Lane
Within this house, within this heat of home, Hearth's heart, I grow, speaking a silent tongue That knows no lies. I lie beside, among These wooden wards. I wait in this bright room, My words green as the sea and quick as foam. The seven trees surround me. They are hung With leaf and light, are limitless and young. Back in the chickencoop a cool gloom Of straw and dust offers an egg and three Gray feathers while the rooster scratches, calls His hens to him. I call my words to me. They sound and settle well within these walls.

The living room at Birch Lane, 1975
Sprinkler System
I have laid the lines straight as a string. When I twist the tap, the sprinklers jet And spurt and spasm, building up to bring Their drizzle down to green. I stoop to set All heads aright. When I dug the stripes Out of the lawn and laid the plastic there And sealed the joints and brought the riser pipes Up where I wanted, I could see the air Already fill with mist and moisture. Wet Was in the wind that wanted me to slake This thirst. Underneath the walk I set My iron pipe to pound and drill and make A passage. I bring water where I will. I can make the front lawn shiver, strain The summer sunshine through a spray and fill The morning with the sound of falling rain.
In My Garden
In my garden dig among the roots Of vanished trees. The soft wood splinters As the shovel chisels it away. I use a maul to shatter histories Of plums and apples. On my boots The dirt of orchards and the winters They have seen. I see today The blossoms transformed into mysteries. I wade among the buried trunks, A bird of weight, my wait suspended On the absent limbs. With shovel stem I dredge and prune. I cut and carry From my yard the swollen chunks Of rotten wood, woods that are ended And are dead. Alive, I wade in them And in them find a sanctuary For my growing. I am warden Of the dying and the living in my garden.

My son Jon in our newly planted garden, 1976.
Apple Tree
The tree fulfills the basket. The green globes Are splashed with red. I twist each from its stem To stack like eggs in wicker. My eye probes The dusty green leaves to discover them, Earth’s first fruit and of my eye. There’s a job To save for Saturdays, a search for rot To use my paring knife upon, blunt blob Of codling moth. I censor the black clot Of eaten core. With my sharp knife I gut The apple and with steel blade I grind The crisp white flesh to juice. The apple cut And saved and stored and labeled and defined. Definitions that cannot acknowledge What this tree has hidden in its foliage.

Our apple tree in bloom, 1976.
Garden
Sunlight in my garden stray and stumble Down the paths, beside the plots where water Drips and dribbles. As my cultivator Chops and channels, so my plants assemble In their vegetable splendor, their shows Of shapes and shades and colors, textures strange As any organs mammals boast. They range Diverse, divulge their difference. Here grows A jagged artichoke. There smooth green scale, Asparagus. And lay the rich red rib Of rhubarb underneath a poison bib. See a carrot man in his earth jail And sweet slick melon on his slip. I seed The backyard soil and bring it to solution. I bring my private order to confusion And separate the greens to plant and weed. A carnival extravaganza grows In urban earth caged in my garden rows.

Our herb garden, 1979.
Metempsychosis
With my nine-pound maul I exorcise ghosts. Beating the sheet out of this garbage can, This den of dents, this rusted also-ran, Unhandled, lidless. In its belly hosts Of harmless discards served their time Waiting for collection, rot, rebirth. The endless cycle of our endless earth. Enough philosophy. Now I must rhyme These words as I maul and mash the metal, Crumple a cylinder to crinkly ball, Collapse convex capacity to small Enough to throw away. I unsettle Seam and rivet, flatten, bend, entomb A rusty jumble in its brand-new twin. The trash container's trash. End and begin, Proving once more we are what we consume. I knew that already. And so did you. The old is always stuffed inside the new.

New garbage can, 1985
The Old Lawn Mower
I think I've had it, pushing this old lawn Mower where the grass clusters rank and thick. I jerk it back over what it skids on And the damn grass catcher falls off. The slick Coarse stems spring up behind me while I nurse The catcher wire back on a rusty prong That's forged in hell to be unfit. I curse And sweat and yearn for other mowers, long For silent swift suave electric snippers, For one-lung loud gas monsters that disturb Suburban Sunday sleep, Yankee clippers That barber lawns from flower bed to curb. Why do I trundle this stubborn steel reel Edge to edge, rake what the careless cutter Flings outside the tattered catcher and feel Blisters break, longing for cocoa butter? Sisyphus, I ceaselessly withdraw push, Making my mowings into manicures. Sometimes I fantasize lava rock, bush, Bonsai, a static landscape that endures. Dream on. I know this stubborn grass will grow Again. And once again I'll grimly mow.
Where the Tree Fell
Watch the water as it winds Its way over root, a tide That clasped, unclasped, wound, rewound, Drenching leavage, loam. Alone This tree learned by rote the right To root. Now broken branch, bough, Trunk and terminus unknot. Wild west winds brought this tree low, As low as earth would allow. Now wind blows where it is not. Broken where it used to bow, As tangled as words I write, Giving to the living a loan That opens earth, a raw wound Where the tree roots were untied. Roots too shallow for west winds.

Showing a green walnut husk from our tree, 1978.
The New Tree
Yesterday we bought ten feet of tree, Sycamore (London plane) and laid it down In the van – its top twigs poking me, Tapping my top when I slowed in town. Treefingers worried that the rootball, Bleeding water through its plastic skull, Would suffer a concussion. I drove all The way home carefully, dug a hole full Of future, released roots, pounded a stake Close by. Then the new tree with its fragile Branches, thin as pencils, ready to break From a bird’s brief weight, from any agile Breeze, stood–and was leashed with rubber ties To the dead stake. Oh we’ll make it live With compost, water, care, to delight eyes And confound its keeper. It will give Us leafings, pale peeling bark. It will show Us how to root, to flourish and to grow.

The new sycamore tree, 1992.
Christmas Tree
You stand behind the couch like a big green Dog, waiting to be petted. And you shed Your shining needles. We must get a broom To sweep up after you. The first thing seen When the door is opened, your shaggy head. You and your presence dominate the room. What was it like before? Easy to clean, Convenient. But now we find instead Your bulky body and we must assume That you have put down roots and that you mean To stay forever. When we go to bed We nod uneasily toward where you loom. And in the morning we must squeeze between You and the wall, brew coffee, toast our bread, Share our Christmas breakfast with you know whom.

Our Christmas Tree, 1979.
Garage Door
Let my life lap with love the way these boards Lap with each other. Let it no more move From light than will the wood I hammer here, Fastened with nails and tongue, secure in groove. Let my life lap up light and then turn towards The sun the way my silver dog laps The jetting water. No thing hold more dear Than how this dog drinks from her rainbow cup. Let my lips love the lock and lilt of words Enclosed in silence. My heart without fail Tune to the tiny shiver in my ear, And all my hammerstrokes dead on the nail.

Our house in 1983 had fresh paint and a new VW bus in the same colors.
Molly
I ask this dog for kindness. She will stand And watch me wisely, move her ears, then bow And settle on the floor, a furry sphinx. A sphinx whose nose is in my startled hand When I am least suspecting, maybe now Or maybe later. If she ever thinks Or what, is moot. Whatever I have planned Is fine if she's included, never how Nor why but only what. She shakes the kinks Out of her neck. She waits for my command, Limits her life to what I will allow, And if I try to stare her down, she blinks.

Molly with my wife Susan, 1977.
The Old Dog
She used to bark the backyard clear of cats, Rushing and roaring to the fence. Rattling The gravel of the walk like a Gatling Gun against the old boards in the back. That's Before. Last December when she went To meet my son she stumbled on the front Steps and fell. We laughed at her excitement And helped her in. We didn't know it meant This dog would lose her rolling rockingchair Gait when she ambled along, that the climb To the back porch would call for so such time From now on. Approach, balk, try again where The hind feet barely follow the sideways Stumble up two low concrete steps. She's slow Inside, sometimes uncertain where to go. When she does find a place to lie, she splays Her front paws forward and lets her hind end Slump to the rug. Then she rolls to rest On her side, sighs and groans. She does the best She can. It isn't in her to pretend To resurrection. Now it's enough for Her to find a soft spot on a hardwood floor.

Molly, 1981.
Chicken Run
Within this fence the moulting chickens scratch And shuffle in their run. They fill their crops With corn and milo, while the rooster chops The morning into meaning. He can catch His pleasure and the hens'. My fingers snatch His unborn children. I find malaprops, Tomatoes with the blackened ends, their tops Embroidered by some earwigs' koffeeklatsch. I serve them to the chickens who detach The parasite from host. They watch for hops And eat those first. In their yard garden slops All disappear before the bolt and latch Shut down the coop. When I am done With day, may mine be such a run.

Our chicken coop, 1979.
Pigeon on Her Eggs
Eye like a polished pebble, shiny, slick And brown as earth, she raises a grey wing And raps my hand. She fluffs her breast to bring Her size to angry and she hoots a thick Short warning. I can see her eyelid click On brown and glint of gold, can see the ring Of darker grey around that eye. I swing The lid shut on the eggbox, check the chick Food and the watercan, decide to stick As close to all my treasures, everything I cover as that pigeon sticks. This spring I’d like to lay my purposes on thick And dusty hay and blink my broody eye, Learn from the pigeon what to want and why.
Culling the Flock
I crouch low, left hand splayed, A spray of fingers hard Against the wire. I laid These fingers down to ward All space but this, this trap, This corner, holding light And shade and hen, a lap Of feathers, grey and white. I bear the body high. The head and beak will reach Far darkness down. I try The stretch of neck for breech On block. The feathers fill With force, the dead head lies Ablinking when I kill To cull the flock to size.

The flock looking a bit nervous, with the chopping block on the right, 1978.
The Oracle
I hung the chain-sawed mask on the side wall,
Cedar against redwood plank. My sister said
It looked just like me. Mustache, bardic beard,
Blunt Norse nose, furrowed forehead. An old grape
Vine and Chilean jasmine loop their green
Lassoes. Ruby-throated hummingbirds feed
From a green glass bottle. In the late fall
When I prune I can see its poor rough head,
Its cracks and creases. And what has appeared
Between the lips? It’s a hole, a round shape
Leading to a bunch of buzzing bees. Seen
But mostly heard. It is just what I need.
Carpenter bees inside a wooden mask.
Answering questions nobody will ask.
Temblor
What can you make of it when your own place Shudders, shames you with dishevelment? How Can you consider yourself grounded now? Shaken, shocked, you realize what was space For you and your workings may grow weary, Weak-kneed, may shrug and turn away. You sigh, Gather together broken trust. You try Reassurance but find yourself leery, Newly nervous. To a still stage you bring Your own jumps, jitters, quirky queasy ways. Imitating earth, you shiver. Your days Now unfolded by the earth's folds. The thing You will remember is how you found That fundaments may come unfixed and shake, Dissolve into the chaos of a quake, Then settle into not-so-solid ground. You will remember how the earth trembled Before you and your life reassembled.
Older
And how could it all have happened like this? How could a spring day, a swim in a river End in a stucco house? Why do I shiver When I see the evening sky? Why do I miss Midnight and the solitary dark? After The third drink, I fall to counting gray hair, Chores completed, chores undone. I and my chair Share easy conversation, soft laughter. Finally I fill a clumsy tumbler With morning water, set up the coffee, go To bed heavy with hows and whys I know Are halfway between history and slumber. Knowing my slow heartbeats will be strewn Closer to midnight now, further from noon.

A drought killed one of the birch trees and a Honda Civic replaced our VW bus, 1996.