
In 1956, I worked at Nalley’s Pickle Plant in Tacoma, Washington. Each year the plant processed about 10 million pounds of cucumbers into Nalley’s pickles.
Getting On
In the Tubs
The Onion Grinder
Pickle Stuffers
A Gift of Mayonnaise
The Pickle Slicer
Photos from the Tacoma Public Library Digital Collections
Getting On
Why they hired me I’ll never know. I hadn’t done too well in school. There were no grades for being cool. Probably nobody cared. So I was hired. They couldn’t know I knew The GI skill of looking like you’re Working when you’re not. The only cure For that is work you really want to do. Hungover, I punched in at eight When I was due at seven and tried To tell the timeclock that it lied. Once there, I pickled. And I hate To say that now I can for fun. My basement’s filled with jarred and brined Okra, cukes, whatever I can find To salt and save. And I’ve done Little since those summer days that can’t Be tied in some way to the pickle plant.

Nalley’s Pickle Plant, 1950
In the Tubs
Sitting on steel siding close behind The plant were flatcars. On each rusty car Stood wooden tubs that stank of salt and tar, Ten feet across and tall and full of brined Cucumbers. I must take my net, handle Hard in hand, I must climb atop a tub And bang a trapdoor open. I must grub Among the shoals of shining green, dandle Gleaming green cured pickles as if they wished To be my darlings, drain them, throw them to The picklebox that lay below, rescue Hundreds till the vat was overfished. Then I must pull on gum boots, venture down Into the tank, drained to eighteen inches, Into the brine whose pungent salt pinches Nipped my nostrils. I must strain strays from drown. I must fetch from slime and scum and wet, Salt-cured cucumbers with my nylon net.

A worker netting pickles at Nalley’s, 1949
The Onion Grinder
Each morning for an hour I wept Over my grinder. I would fill Its stainless steel bowl. I kept It brimming to its curled bill With golden globe and paper-skin. Round rings spun round and down to meet Steel teeth that chewed and spewed a thin Stream full of stink and sting, a sleet Of slivered silver. Eight hours there, Open onions and their odor, Filling clothing, skin and hair, Sharp and acrid. Then the loader Of the pallets, Jitney George, roared By on forklift, shouting, “Don’t cry, Snydal, I still love you.” Toward His voice, engine noise, I threw my Last whole onion hard away, Wiped my eyes, blew my streaming nose. When I see relish to this day I smell the onion on my clothes.

Unloading cucumbers, 1945
Pickle Stuffers
Pickles up! And the forklift brought a vat Of cuke chips, washed and cured and sliced and mixed With onion, sugar, brine. I, the line chief, fixed Conveyor speed to suit the gals who sat Around the pickle wheel. I checked for glass, Made sure the sterilizer had its heat. Then I, the line chief, pushed the button. Cleat Follows cleat, belts shiver, shimmy, wheels pass Wheels, one turns clockwise full of sterile jars, One counterclockwise where the chips fall where They may. Line ladies poke the pickle there Through holes into the glass held up by bars That channel filled containers to a jet Of sugar brine that tops them up and spins A lid in place. They slide in canning bins That travel through the cooker where they’re set In steam for half an hour and sealed. The line Clanks, rattles, clangs, bangs. I, the line chief, load The belts, check chips and glass and lids. I goad Pickle stuffers but they know I don’t sign Their time cards so they laugh. They and their friends Realize their line stops when their shift ends.

Women on the pickle assembly line pack cucumbers into glass jars for processing, capping and labeling as Nalley’s “Treasure Pickles,” 1946
A Gift of Mayonnaise
We were all drunk on beer, the kind of beer You get at Safeway and I took my friends Down to the pickle party with no clear Conception of a party or of ends Of evenings. (I still feel this loose-lipped lack Of leadership within my life. I seem To start things well and let them drift. I pack Beginnings full of surge and urge, mainstream, And let the endings congregate in eddy.) At any rate none of us danced or not As I remember. None of us were ready For anything but jeers and parking lot. Walking through the warehouse, cardboard cases Mountain high in dim light, rusty steel siding, Dusty concrete aisles, the sweating faces Of the dancers doors behind, deciding All of us at once we must have a gift. So we pulled a case of gallon jars Out of the palleted stacks, to lift And laugh with, back to our teenage cars. And if I wish, I can let my life be haunted By a case of mayonnaise that no one wanted.

Nalley’s merchandise in a grocery store, 1950s
The Pickle Slicer
I quit the pickle plant that warm September, Told everyone: I saw a poor guy fired Who went home, told his wife, “Since I was hired Years ago, I’ve longed to put my member In the pickle-slicer.” And his wife Started to scream, “Migod, how did it feel? Did you do it, right up by the wheel That sorts and measures pickles, that sharp knife That metes out pickle portions?” (None the wiser) He says, “Yes.” She asks, “Are you all right?” And he says, “Yes, I am,” and she asks, “Might I ask what happened to the pickle-slicer?” “She got fired too.” Story and scene Seldom fit so well when you are seventeen.


